

Bounce Moody LUT Pack
$37,00 Original price was: $37,00.$18,00Current price is: $18,00.
Bounce Moody LUT Pack created for all you lovers of epic landscapes and moody locations. This pack features 30 different Film LUTs to choose from with each one being unique. This will save you time and help you professionally grade your film.
Moody LUT Pack – 30 Film Looks
Compatible with all major editing software

Bounce Moody LUT Pack created for all you lovers of epic landscapes and moody locations. This pack features 30 different Film LUTs to choose from with each one being unique. This will save you time and help you professionally grade your film.
Moody LUT Pack – 30 Film Looks
Compatible with all major editing software
✓ Instant worldwide download
✓ 24/7 Support
✓ No installation required
✓ Over 15 years of experience in color grading
✓ For professionals and beginners
✓ Works on all pro editing programs
✓ Tutorials included
✓ Created by Film Makers for Filmmakers
How to use LUTs in Premiere Pro
How to use LUTs in Davinci Resolve
SLIDER COMPARISON
Here is a series of snapshots from actual footage featuring our Moody LUT Pack in action. Click your mouse or thumb on the slider to drag it sideways.
Specs
- Instant Worldwide Download
- Requires No Experience
- Windows/Mac Compatible
- Cameras Supported – Black Magic Pocket Camera 4K, BMDFilm, rec709, RED GAMMA4, REDLOGFILM, SLOG2, SLOG3, VLOG, Canon, Nikon, GoPro, Canon and Nikon.
- You can use any of these LUTs on any camera by adjusting the contrast settings. The different camera LUTs are only guides to use on specific camera footage. rec709 is to be used on standard color profiles.
- Programs Supported – Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, Sony Vegas 13 , AVID and many more.
- Package Contents – 30 Moody Film LUTs in each camera profile including rec709. 1x PDF instructions.
WORKS IN ALL TOP EDITING PROGRAMS
- Premiere Pro CC
- After Effects CC
- Final Cut Pro X
- DaVinci Resolve
- Photoshop
- Vegas Pro
- Filmora
- LumaFusion
- Pinnacle Studio
- Edius
- AVID
- Speedgrade
any software that can import LUTs
SUPPORTED CAMERAS
& COLOR SPACES
We provide all of our Creative LUTs in Rec709 (Rec709 is a technical term for standard color).
We also provide Conversion LUTs for all of the below, so you can use our Creative LUTs on your Log footage:
- Rec709 (All of our LUTs work on all cameras using standard color)
- Blackmagic BMDFilm Gen4 & Gen5
- RED Gamma3
- RED RedLogFilm
- Sony SLog 2 & SLog 3
- Sony Cine4 using Rec709 LUTs
- Panasonic V-Log
- Canon C-Log, C-Log2 & C-Log3
- DJI D-Log
- Fujifilm F-Log
- Nikon N-Log
- Arri Log-C
- GoPro using Rec709 LUTs
- Kine Infinity using Rec709 LUTs
- ZCam using Rec709 LUTs
- iPhone using Rec709 LUTs
- All phones (Samsung, Google etc.) using Rec709 LUTs

In this case, a revocation can only be made if the buyer has not yet downloaded the files. However, we will consider granting refunds under certain circumstances (e.g. duplicate order, the wrong preset is sent). We will grant refunds at our reasonable price. If the buyer requests a refund and a download has not been performed, we will honor a full refund to the customer.
Please take time to preview the product pictures, descriptions, and videos before you buy to avoid mistakes. We tried our best to gather all the important information for each product so that you preview and be satisfied before making a purchase. Thanks so much for choosing our products. We hope you’ll love them as much as we do!
Our team is incredibly responsive and takes pride in taking care of our customers. Please feel free to get in touch with us via the contact page or email us directly at [email protected] with any questions or concerns and we’ll be happy to help within 24 hours.
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- Programs Supported - Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, AVID, Sony Vegas 13 (Vision Color LUT plugin needed), Filmora and many more.
- The different camera LUTs are only guides to use on specific cameras. You can use any of these LUTs on any camera by adjusting the contrast S-curve settings.
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